Tenor Zach Borichevsky is known for his “lyric beauty, capable of enormous power” (Dallas Morning News), in the 2026/27 season, Borichevsky makes his role debut as Canio in Pagliacci with Virginia Opera, and returns to the Metropolitan Opera for their productions of Manon, and La bohème. On the concert stage, he sings Verdi’s Requiem with both Toledo Symphony Orchestra and Fairfield County Chorale, and joins the Danbury Association in concert. Last season he sang Narraboth in Salome with Cincinnati Opera, Pinkerton in Madama Butterfly with Fort Worth Opera, returned to the Metropolitan Opera for their production of La traviata. Recent performances include Duca in Rigoletto with the Metropolitan Opera and Cincinnati Opera, Alfredo in La traviata with San Diego Opera, Don Jose in Carmen with Florentine Opera, Nashville Opera and Virginia Opera, and Rodolfo in La bohème with Opera Colorado and Nashville Opera.
Mr. Borichevsky’s other recent performances include: Cavaradossi in Tosca with Dayton Opera, the title role of Faust with Detroit Opera, Roméo in Roméo et Juliette with Toledo Opera, Edgardo in Lucia di Lammermoor at Seoul Arts Center in Korea, Cassio in Otello with Washington National Opera, Narraboth in Salome with Spoleto Festival, Alfredo in La traviata with Opera Grand Rapids, Rodolfo in La bohème with Finnish National Opera, Romeo in Roméo et Juliette for Teatro Municipal de Santiago in Chile, Alfredo in La traviata for the Glyndebourne Festival, Edmondo in Manon Lescaut in his Metropolitan Opera début, Anatol in Vanessa for the Santa Fe Opera, Pinkerton in Madama Butterfly for Teatro Municipal de Santiago in Chile, Rodolfo in La bohème with English National Opera, and Alfredo in La traviata with the Seattle Opera. Additional performances include Lensky in Eugene Onegin, Rodolfo in La bohème, and Romeo in Roméo et Juliette all with Arizona Opera, Edgardo in Lucia di Lammermoor with Opera Carolina, Eisenstein in Die Fledermaus for Cincinnati Opera, Eisenstein in Die Fledermaus with Palm Beach Opera, Tamino in The Magic Flute with Boston Lyric Opera and Jonathan Dale in the East Coast premiere of Kevin Puts’ Silent Night for Opera Philadelphia.
In concert, Mr. Borichevsky recently joined the National Philharmonic for Verdi’s Requiem, reprised the tenor soloists in two works, John Adams’ The Gospel According to the Other Mary for the National Symphony Orchestra at the Kennedy Center and Rachmaninov’s The Bells with the St. Louis Symphony, joined the Minnesota Orchestra for Beethoven’s Symphony No. 9 under Osmo Vänskä, the Netherlands Radio Philharmonic Orchestra to debut the role of Lazarus in John Adams’ The Gospel According to the Other Mary under Markus Stenz, and gave his first performances of The Dream of Gerontius with the Orquesta Sinfónica del Principado de Asturias under Rossen Milanov. Further highlights have included appearances at the Aspen Music Festival for Berioz’s Requiem, Britten’s Nocturne and Janáček’s Diary of One Who Disappeared, Festival de Radio France et Montpellier with Rachmaninov’s The Bells under Santtu-Matias Rouvali, Britten’s War Requiem with the National Taiwan Symphony Orchestra under Lan Shui, and the Chicago Philharmonic for Verdi’s Messa da Requiem under Murry Sidlin.
Mr. Borichevsky has been honored with a number of awards from organizations including the George London Foundation, The Metropolitan Opera National Council, Gerda Lissner Foundation, Opera Index, Mario Lanza Foundation, Shreveport Opera and Licia Albanese-Puccini Foundation. Mr. Borichevsky won second prize at the Loren L. Zachary National Vocal Competition for Young Opera Singers and third prize at Plácido Domingo’s Operalia Competition.
Management Territory: Worldwide
