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Retrieved from http://www.medicalnewstoday.com/articles/283101.php MLAMcIntosh, James. ":958,"date":"2021-10-28T19:02:05","date_gmt":"2021-10-28T19:02:05","guid":{"rendered":"https:\/\/guybarzilayart.wpengine.com\/?page_id=958"},"modified":"2022-04-20T02:28:54","modified_gmt":"2022-04-20T02:28:54","slug":"lyubov-petrova","status":"publish","type":"page","link":"https:\/\/guybarzilayartists.com\/lyubov-petrova\/","title":{"rendered":"Lyubov Petrova"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_image=”2973″ bg_position=”center center” bg_repeat=”no-repeat” full_height=”yes” columns_placement=”bottom” scene_position=”top” layer_one_image=”476″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”Lyubov” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_custom_heading text=”Lyubov Petrova” font_container=”tag:h1|font_size:54px|text_align:center|color:%23000000|line_height:.8″ use_theme_fonts=”yes”][vc_custom_heading text=”SOPRANO” font_container=”tag:h1|font_size:35px|text_align:center|color:%23000000″ use_theme_fonts=”yes”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”3%” constrain_group_1=”yes” bottom_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Opera News<\/i>\u00a0hails Lyubov Petrova as a \u201csoprano of ravishing, changeable beauty, blazing high notes and magnetic stage presence.\u201d In the 2018-19 season, she returns to Florida Grand Opera as Countess Almaviva in\u00a0Le nozze di Figaro<\/b>. Last season, she sang Susanna in\u00a0Le nozze di Figaro<\/b>\u00a0with the Metropolitan Opera, her first performances of Freia in\u00a0Das Rheingold<\/b>\u00a0with both the London Philharmonic and Odense Symphony Orchestra, and returned to the Metropolitan Opera for their production of\u00a0Cos\u00ec fan tutte<\/b>. She also joined Bard Music Festival for Marfa in\u00a0The Tsar\u2019s Bride<\/b>, Music@Menlos for Shostakovich’s\u00a0From Jewish Folk Poetry<\/b>, and returned to La Jolla Music Festival for performances Lilla-Lobos\u2019\u00a0Bachianas Brasileiras<\/b>\u00a0and selections of Schubert Lieder.<\/p>\n[read_more id=”1″ more=”Read more” less=”Read less”]She recently she sang her first performances of Tatyana in\u00a0Eugene Onegin<\/b>\u00a0with Florida Grand Opera, Sophie in\u00a0Der Rosenkavalier<\/b>\u00a0at the Bolshoi Theater in Moscow, and Sofya in Prokofiev\u2019s\u00a0Semyon Kotko<\/b>\u00a0with Vladimir Jurowski conducting the Radio Filharmonisch Orkest at the Concertgebouw. Other performances for the soprano include: the Four Heroines in\u00a0Les contes d\u2019Hoffmann<\/b>\u00a0with New Israeli Opera; Despina in\u00a0Cos\u00ec fan tutte<\/b>\u00a0at the Hyogo Performing Arts Center in Japan; Violetta in\u00a0La traviata<\/b>\u00a0with Korean National Opera; the title role in\u00a0Manon<\/b>\u00a0at the Teatro Massimo in Palermo; the title role in Martin y Soler\u2019s\u00a0L\u2019arbore di Diana<\/b>\u00a0at the Teatro Real; Juliette in\u00a0Rom\u00e9o et Juliette<\/b>\u00a0with Nederlandse Opera, Dallas Opera, and Pittsburgh Opera; Gilda in\u00a0Rigoletto<\/b>\u00a0also with Pittsburg Opera, previous performances of\u00a0Lucia di Lammermoor<\/b>\u00a0and Zerbinetta in\u00a0Ariadne auf Naxos<\/b>\u00a0with Washington National Opera; Cleopatra in\u00a0Giulio Cesare<\/b>\u00a0and Susanna in\u00a0Le nozze di Figaro<\/b>\u00a0with Glimmerglass Opera, Adalgisa in\u00a0Norma<\/b>\u00a0at the Bellini Festival in Catania; Zerbinetta in\u00a0Ariadne auf Naxos<\/b>\u00a0with Op\u00e9ra national de Paris, Teatro Real, Los Angeles Opera, and Pittsburgh Opera; Pamina in\u00a0Die Zauberfl\u00f6te<\/b>\u00a0and Valencienne in\u00a0Die lustige Witwe<\/b>\u00a0at the Teatro Col\u00f3n; Linsinga in the Rossini rarity,\u00a0Demetrio e Polibio<\/b>; at the Teatro San Carlo di Napoli Adele in\u00a0Die Fledermaus<\/b>\u00a0and Louisa in\u00a0Betrothal in a Monastery\u00a0<\/b>with Glyndebourne Festival Opera (both available commercially, the former as a DVD and the latter as a CD) and in subsequent performances at the BBC Proms at Royal Albert Hall; Angelica in\u00a0Orlando<\/b>\u00a0and Louisa in\u00a0Betrothal in a Monastery<\/b>\u00a0at the Palau de les Arts Reina Sofia in Valencia; sang Aristea in\u00a0L\u2019Olimpiade<\/b>\u00a0at the Pergolesi Festival in Jesi, Italy; Elvira in\u00a0I puritani<\/b>\u00a0and Susanna in\u00a0Le nozze di Figaro<\/b>\u00a0with Palm Beach Opera; further performances of\u00a0Lucia di Lammermoor<\/b>\u00a0with Pittsburgh Opera, Austin Lyric, Opera Lyra Ottawa, and Central City Opera; Oscar in\u00a0Un ballo in maschera<\/b>\u00a0with Houston Grand Opera; Sophie in\u00a0Der Rosenkavalier<\/b>\u00a0with the Atlanta Symphony Orchestra and Bolshoi Opera; and Virt\u00f9 and Pallade in\u00a0L\u2019incoronazione di Poppea\u00a0<\/b>with the Teatro Real. She has joined the Spoleto Festival U.S.A. for the title role of\u00a0Lakme<\/b>, Despina in\u00a0Cos\u00ec fan tutte<\/b>, and further performances of Zerbinetta in\u00a0Ariadne auf Naxos<\/b>\u00a0and with Opera Novaya in her native Russia, she has sung Violetta in\u00a0La traviata<\/b>, Lyudmila in Glinka\u2019s\u00a0Ruslan i Lyudmila<\/b>, the title role in Rimsky-Korsakov\u2019s\u00a0Snow Maiden<\/b>, and Marfa in Rimsky-Korsakov\u2019s\u00a0Tsar\u2019s Bride<\/b>. She was also featured as the Queen of the Night on the 2006 film of\u00a0The Magic Flute<\/b>\u00a0directed by Kenneth Branagh.<\/p>\nMs. Petrova made her Metropolitan Opera debut as Zerbinetta in\u00a0Ariadne auf Naxos<\/b>. The former participant in the company\u2019s prestigious Lindemann Young Artist Development Program has returned for numerous roles including Sophie in\u00a0Der Rosenkavalier<\/b>, Pamina in\u00a0Die Zauberfl\u00f6te<\/b>, Norina in\u00a0Don Pasquale<\/b>, Sophie in\u00a0Werther<\/b>, Nannetta in\u00a0Falstaff<\/b>, Oscar in\u00a0Un ballo in maschera<\/b>, Adele in\u00a0Die Fledermaus<\/b>, Blondchen in\u00a0Die Entf\u00fchrung aus dem Serail<\/b>, Xenia in\u00a0Boris Godunov<\/b>, and Woglinde in\u00a0Das Rheingold<\/b>\u00a0as well as for the company\u2019s productions of\u00a0Giulio Cesare<\/b>\u00a0and\u00a0Le nozze di Figaro<\/b>.<\/p>\n
She has sung Brahms\u2019\u00a0Ein deutsches Requiem\u00a0<\/b>with the Hong Kong Philharmonic and Rachmaninov\u2019s\u00a0The Bells<\/b>\u00a0with the Florida Orchestra. In her native Russia, she has joined the Russian National Orchestra for further performances\u00a0The Bells<\/b>\u00a0(available commercially on the Warner Classics label) and Artiomov\u2019s\u00a0Requiem<\/b>\u00a0with the Russian National Orchestra; Bach\u2019s\u00a0Magnificat<\/b>\u00a0and Haydn\u2019s\u00a0Lord Nelson Mass<\/b>\u00a0with Helmuth Rilling conducting the Moscow Conservatory Orchestra; and Mozart\u2019s\u00a0Exsultate, jubilate<\/b>\u00a0with the Moscow Chamber Orchestra. She has also sung a program of Johann Strauss with Julius Rudel conducting the New Jersey Symphony Orchestra and joined the Pressburger Symphoniker at the Schloss Esterhazy in Austria for a concert of Rossini, Donizetti, Bellini, Mozart, and Bizet.<\/p>\n
Photo Credit: Ronnie Nelson
\nManagement Territory: North & South America and Sundry Territories<\/p>\n[\/read_more][\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_image=”2977″ bg_position=”left top” bg_repeat=”no-repeat” full_height=”yes” scene_position=”center” layer_one_image=”547″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” class=”Lyubov1″ overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” top_margin=”3%” constrain_group_1=”yes” bottom_margin=”3%” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” top_padding=”3%” constrain_group_1=”yes” bottom_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_custom_heading text=”LISTEN” font_container=”tag:h2|font_size:48|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1633723639356{padding-bottom: 3% !important;}”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]E Susanna non vien! Dove sono i bei momenti (Le nozze di Figaro – Mozart)<\/span><\/strong><\/p>\n\n