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Sopranos
Jennifer Check
Lori Guilbeau
Rena Harms
Georgia Jarman
Inna Los
Indira Mahajan
Maureen McKay
Marisol Montalvo
Sinéad Mulhern
Rebecca Nash
Micaëla Oeste
**
Lyubov Petrova
Nili Riemer
**
Dagmar Schellenberger
Larisa Tetuev
**+
Jacquelyn Wagner
Jennifer Welch-Babidge
Mezzo-Sopranos
*
Daniela Barcellona
Kathryn Day
Cynthia Hanna
Jennifer Lane
Victoria Livengood
Deanne Meek
Brenda Patterson
Nicole Piccolomini
Susana Poretsky
Edna Prochnik
Ann McMahon Quintero
Patricia Risley
**+
Doris Soffel
Countertenor
Yaniv d'Or
Tenors
Corey Bix
** +
Ladislav Elgr
Efe Kislali
Robert McPherson
John McVeigh
John Horton Murray
Brian Stucki
Jon Fredric West
Baritones
Liam Bonner
Jeremy Kelly
David Adam Moore
Christopher Schaldenbrand
Craig Verm
Bass-Baritones
Thomas Forde
Philip Horst
Derrick Parker
Mark Schnaible
**+
Wolfgang Schöne
Wayne Tigges
Alfred Walker
Basses
Vladimir Ognovenko
Denis Sedov
*
Kristinn Sigmundsson
Stage Director
Eric Einhorn
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North America ** North & South America
+ Sundry Territories
Click on picture or name to
access Artist page. |
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Liam Bonner
“Baritone Liam Bonner, as Papageno, leavened librettist Emanuel Schickaneder's two-dimensional book with a deft comic touch backed by a hefty, well-supported instrument that would make for a wonderful Figaro.”
Die Zauberflöte , Wolf Trap Opera; Washington Times |
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Jeremy Kelly
“Jeremy Kelly gave more vocal life to Schaunard than I've heard or seen in a long time.”
La bohème, Seattle Opera; Opera News |
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David Adam Moore
“The Zurga of David Adam Moore had weight to his baritone and gave the part the kind of virile command that balanced the lightness of the soprano and tenor.”
Les Pecheurs des Perles, SEATTLE OPERA ;
Seattle Post-Inteligencer
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Christopher Schaldenbrand
"...the Metropolitan Opera's Christopher Schaldenbrand was dashing, lively, and ruthless - a convincing Don Juan ... Schaldenbrand has a beautiful, even baritone, full of lyric subtlety."
Don Giovanni, New Orleans Opera; Arts and Amusements
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Craig Verm
“...made full use of his resonant, expressive baritone voice, bringing the necessary depth to this complex role and imbuing the all-important final scene with poignancy and depth,”
Cunning Little Vixen, Aspen Festival; Denver Post
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